I'm having problems rationalising that there is a 'hard problem of consciousness'. The reason that I'm having the problem is that over 40 years ago, I took in the thoughts of people like
William James whose thoughts convinced me that ours brains and bodies work as a single unit.
David_C posted the following reference in the OP in an attempt to define 'phenomenal consciousness' --
Chalmers, David J. "
Facing up to the problem of consciousness."
Journal of consciousness studies 2.3 (1995): 200-219 on this site --
http://consc.net/papers/facing.html .
I will quote a few paragraphs from
David Chalmers so that readers can compare and contrast his attempt at definition with the observations and citations made by
William James 140 years ago. I'm seeking consensus or otherwise as to whether the latter actually address
Chalmer's "'conscious experience' or simply 'experience'".
"The really hard problem of consciousness is the problem of experience. When we think and perceive, there is a whir of information-processing, but there is also a subjective aspect. As Nagel (1974) has put it, there is something it is like to be a conscious organism. This subjective aspect is experience. When we see, for example, we experience visual sensations: the felt quality of redness, the experience of dark and light, the quality of depth in a visual field. Other experiences go along with perception in different modalities: the sound of a clarinet, the smell of mothballs. Then there are bodily sensations, from pains to orgasms; mental images that are conjured up internally; the felt quality of emotion, and the experience of a stream of conscious thought. What unites all of these states is that there is something it is like to be in them. All of them are states of experience."
"It is undeniable that some organisms are subjects of experience. But the question of how it is that these systems are subjects of experience is perplexing. Why is it that when our cognitive systems engage in visual and auditory information-processing, we have visual or auditory experience: the quality of deep blue, the sensation of middle C? How can we explain why there is something it is like to entertain a mental image, or to experience an emotion? It is widely agreed that experience arises from a physical basis, but we have no good explanation of why and how it so arises. Why should physical processing give rise to a rich inner life at all? It seems objectively unreasonable that it should, and yet it does."
"If any problem qualifies as the problem of consciousness, it is this one. In this central sense of "consciousness", an organism is conscious if there is something it is like to be that organism, and a mental state is conscious if there is something it is like to be in that state. Sometimes terms such as "phenomenal consciousness" and "qualia" are also used here, but I find it more natural to speak of "conscious experience" or simply "experience". Another useful way to avoid confusion (used by e.g. Newell 1990, Chalmers 1996) is to reserve the term "consciousness" for the phenomena of experience, using the less loaded term "awareness" for the more straightforward phenomena described earlier. If such a convention were widely adopted, communication would be much easier; as things stand, those who talk about "consciousness" are frequently talking past each other."
I've gone back to the writings of
William James as published in
Britannica Great Books No 53 (1952) and edited by Robert Maynard Hutchins. In Chapter XXIII,
The Production of Movement, he deals with whole body involvement in sensory perception. I shall copy and type a few excerpts to elicit discussion.
On page 694, he states
"Every impression which impinges on the incoming nerves (I assume he is referring to sight, sound, touch, smell and taste sensory inputs)
produces some discharge down the outgoing ones, whether we are aware of it or not. Using sweeping terms and ignoring exceptions, we might say that every possible feeling produces a movement, and that the movement is a movement of the entire organism and of each and all of its parts. ... According as an impression is accompanied with Feeling, the aroused currents diffuse themselves over the brain, leading to a general agitation of the moving organs, as well as affecting the viscera." James goes on to cite other thinkers of the time -- In cases where the the feeling is strong the law is too familiar to require proof. As
Professor Bain says:
" ... Every pleasure and every pain , and every mode of emotion, has a definite wave of effects, which our observation makes known to us; and we apply the knowledge to infer other men's feelings from their outward display. ... and of these, by preference, the features of the face (with the ears in animals), whose movements constitute the expression of the countenance. But the influence extends to all parts of the moving system, voluntary and involuntary; while an important series of effects are produced on the glands and viscera -- the stomach, lungs, heart, kidneys, skin, together with the sexual and mammary organs. ... The circumstance is seemingly universal, the proof of it does not require a citation of instances in detail; on the objectors is thrown the burden of adducing unequivocal exception to the law.""
Haller, long ago, recorded that the blood flow from an open vein flowed out faster at the beat of a drum."
" ... we learned how instantaneously, according to Mosso, the circulation in the brain is altered by changes of sensation and the course of thought. The objects of fear, shame, and anger upon the blood supply of the skin, especially the skin of the face, are too well known to need remark." "Sensations of the higher sense produce, according to Couty and Carpentier, the most varied effects upon the pulse-rate and blood pressure in dogs. Fig 181, a pulse-tracing from these authors, shows the tumultuous effect on a dog's heart of hearing the screams of another dog." "When Mosso invented the plethysmograph, for recording the fluctuations in volume of members of the body, what astonished him, he says, 'in the first experiment made in Italy, was the extreme unrest of the blood vessels of the hand, which at every smallest emotion, whether during waking or during sleep, changed their volume in surprising fashion'. Figure 82 shows the way in which the pulse of one subject was modified (my comment -- increased in rate and amplitude)
by the exhibition of a red light lasting from the moment marked a to b." I notice that topics involving the experiences associated with phenomenal consciousness generally mention the colour red. That last citation of
James' may help. It seems as if the information of 140 years ago has been forgotten. In a later anecdote,
James also cites the work of
M Fere using a hand-held dynamometer.
Fere apparently determined firstly that the hand strength measurements of subjects was usually reasonably stable from day to day, but if the subject was subjected to musical notes, the strength of grip decreased with sad music and increased with loudness and height. Also,
"In a subject whose normal strength was expressed by 23, it became 24 when a blue light was thrown on the eyes, 28 for green, 30 for yellow, 34 for orange, and 42 for red. Red is thus the most exciting colour."The above quotations are just a sample. He also discusses the effects of sensory input upon respiration, sweat glands, the pupil, the abdominal viscera and upon voluntary muscles.
The above ideas were being propounded 140 years ago, so I do not understand why the matter is being raised in this day and age as if no one has a credible answer to the 'hard problem'.
Of course, several landmark discoveries since 140 years ago have helped to clarify this effect that incoming sensory inputs have on the rest of our bodies. The above dissertation by
James implies monism of course, that is that the brain and body act as a single unit. There is no such thing as the brain and body working and functioning independently. It all implies that they work together as a unit. I made a submission that briefly mentioned the way these 'effects' become 'affects' in a post on Thought vs Matter/Energy (by
Doogles on June 29th, 2020, 6:15 am). Curiously, that input did not attract a single comment.
I can amplify those points if required, including the anatomical and endocrine connections between brain and body.
I think I can safely add that even as babies we all get a sense of
"I hurt, therefore I am" (forget the adult 'cogito, ergo sum'), and that this feedback from each of our bodies increases and amplifies as part of our whole beings in the form of proprioceptive sixth sense feedback constantly from all of our soft tissues to our brains, both subconsciously and consciously.
In fact, you could almost say that we each build up our own libraries of sensory feedback from every soft tissue in our bodies, and which may have as many aspects in common or as variations of those experienced by others.
Have I totally misunderstood the 'hard problem of experience'?